Cheap PriceList for AB Series FRL-BFR2000 BFR3000 BFR4000 for Uruguay Factories

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Feature   AB series filter and regulator is equivalent AIRTAC series FRL.. Filter out the water molecule and dust, lubricate the oil and regulate the compressed air.   Specification   Model AFR1500 AFR2000 BFR2000 BFR3000 BFR4000 Medium Air Port size(G) 1/8 1/4 1/4 3/8 1/2 Port size for pressure gauge G1/8 G1/4 Drain capacity 15cm3 60cm3 Max.burst pressure 15kgf/cm2 Max.operating pressure 9.9kgf/cm2 Regulating ra...


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Cheap PriceList for AB Series FRL-BFR2000 BFR3000 BFR4000 for Uruguay Factories Detail:

Feature

 

AB series filter and regulator is equivalent AIRTAC series FRL..

Filter out the water molecule and dust, lubricate the oil and regulate the compressed air.

 

Specification

 

Model

AFR1500

AFR2000

BFR2000

BFR3000

BFR4000

Medium

Air

Port size(G)

1/8

1/4

1/4

3/8

1/2

Port size for pressure gauge

G1/8

G1/4

Drain capacity

15cm3

60cm3

Max.burst pressure

15kgf/cm2

Max.operating pressure

9.9kgf/cm2

Regulating range

0.5~8.5kgf/cm2

Ambient and media temperature

5~60 celsius degree

Filtration

40um

Body material

Aluminum Die-casting

Bowl material

Polycarbonate

Cup cover

-

steel

Weight

0.26kgs

0.4kgs

 

 


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  • This is a video I created from various models and assemblies i have made from 2009-2010 using SolidWorks.
    Unfortunately, only the two first sections are rendered using Photoworks. The amount of components in the last two assemblies forced me to render using the standard Solidworks buffer. As most users of pre 2010 SolidWorks users are aware, certain memory issues cripple any form of uhm.. artistic freedom whatsoever. Especially when it comes to complex geometry or large assemblies in combination with Photoworks. Throw a substandard computer in there and you will be living in a world of annoyance.

    99% of all models are drawn from scratch by me, or heavily modified to be compatible (like when converting from IGS or STP/STEP, you usually need to fix this and that) with parts modelled from the ground up in Solidworks. The only untouched component is the electric motor in the last part of the video.

    Anyway, The first, third and fourth sections contain work where i am experimenting a bit with the camera functionality in Solidworks. I guess that is kind of obvious from the beginning really. It is quite hard to make any sense of the path of your camera and/or collapsing components when SolidWorks only works, in a VERY laggy way, for about 5 minutes at a time, but i think i pulled through ok. Everything is rendered in 1280×720.

    -The first clip is a typical hydraulic manifold with various machined cavities for fitting cartridge valves and such (these are to be modeled and added later by the way..). The path of the camera takes the viewer on a tour from pressure port P, to exit/work/function port X4.
    -the second clip is a collapse of a triple manifold (different functionality for each section for example), fitted with a few CETOP3 valves + coils and fasteners.
    -Third we have a collapse of a modular valve pack using subplates, CETOP3 valves and stackable flow/pressure control valves. All (or at least a s%&tload of) fasteners and fittings included.
    -fourth, one can see a collapse of a HPU (some parts removed to make SolidWorks happy) with the modular valve from section 3 fitted.

    The tune, which i think is quite nice, is made by Darenager, and is called Summer in Detroit (Live Mix).
    On YouTube: http://www.youtube.com/watch?v=bwzTpC…
    On Bandcamp: http://darenager.bandcamp.com/track/s…
    Thanks for letting me borrow your tune, Daren :)



    During “Lightning Round” presentations, NEH award recipients share a 3-minute overview of their NEH-funded project. The presentations in this video took place on February 9, 2018 as part of our annual Project Directors Meeting convened by the NEH Office of Digital Humanities in Washington, DC.

    Projects featured in this video are listed below along with the time code for each presentation. To view a complete list of the projects along with direct links, please visit https://www.neh.gov/divisions/odh/grant-news/lightning-round-videos-project-presentations-the-2018-odh-project-directors-meeting

    Learn more about the Digital Humanities Advancement Grant program at:

    https://www.neh.gov/grants/odh/digital-humanities-advancement-grants

    Learn more about the Institutes for Advanced Topics in the Digital Humanities at:

    https://www.neh.gov/grants/odh/institutes-advanced-topics-in-the-digital-humanities


    DIGITAL HUMANITIES ADVANCEMENT GRANTS

    “Omeka S ORCID Integration” (Start of video)

    “V-ESPACE: Virtual Early Modern Spectacles and Publics, Active and Collaborative Environment” (3:26)

    “Networking the Regional Comprehensives” (6:39)

    “Caribbean Diaspora: Panorama of Carnival Practices” (9:33)

    “Viral Networks: An Advanced Workshop in Digital Humanities and Medical History” (12:23)

    “The Development of Digital Documentary Editing Platforms” (14:32)

    “Go Local: Building Capacity for Public History in York County, Maine” (16:18)

    “Integrating Digital Humanities into the Web of Scholarship with SHARE: An Exploration of Requirements” (19:05)

    “Digital Floor Plan Database: A New Method for Analyzing Architecture” (22:03)

    “Supporting Cultural Heritage Research in Historic Photography Archives with Machine Learning and Computer Vision” (25:23)

    “Curating East Africa: A Platform and Process for Location-Based Storytelling in the Developing World” (28:37)

    “Building a Decision Tree for Watermark Identification in Rembrandt’s Etchings – The WIRE Project” (31:54)

    “Mina Loy: Navigating the Avant-Garde” (35:00)

    “Documenting the Ethnobiology of Mexico and Central America: A Digital Portal for Collaborative Research” (38:27)

    “Circulating American Magazines: Making Lost Historical Data from the Audit Bureau of Circulations Publicly Available” (42:04)

    “Mapping the Historic West End: The Digital History of African American Neighborhoods in Charlotte, North Carolina” (45:28)

    “Grenzenlos Deutsch: an Inclusive Curriculum for German Studies” (47:27)

    “Mining Citation in Digital Humanities: A central bibliography of Digital Humanities Quarterly” (50:51)

    “Tools for Listening to Texts-in-Performance” (54:51)

    “Named Entity Recognition For The Classical Languages For The Building Of A Catalog Of Ancient Peoples” (57:21)

    “Visualizing Webpage Changes Over Time” (1:00:32)

    “Diviner, A Digital Platform” (1:03:43)

    “The Global Medieval Sourcebook” (1:06:40)

    “Applying Named Entity Recognition to Explore Louisiana Slave Conspiracies” (1:09:49)

    “Documenting and Triaging Cultural Heritage (DATCH): Damage Assessment and Digital Preservation” (1:13:23)

    “DH from an Indigenous Perspective: Strengthening Partnerships between Indigenous Communities, Scholars, Museums, and Archives” (1:16:31)

    “The Philadelphia Playbills Project” (1:19:54)

    “Reconstructing the First Humanities Computing Center” (1:23:15)

    “Literature in Context: An Open Anthology” (1:26:05)

    “Investigating the Golden Age of Podcasting through Metadata and Sound” (1:29:27)

    “The London Stage Database” (1:32:23)

    “Text in Situ: Reasoning about Visual Information in the Computational Analysis of Books” (1:35:36)

    “Freedom on the Move: Advancing a Crowdsourced, Comprehensive Database of North American Runaway Slave Advertisements” (1:39:07)

    “Exploring Archaeological Landscapes through Advanced Aerial Thermal Imaging” (1:42:31)

    “Exposing the Borders of Academia: Sign Language as a Medium of Knowledge Production, Preservation, and Dissemination” (1:46:03)

    “Transcribing and Linking Early American Records with Scripto and Omeka S” (1:50:37)

    “Ensuring Access to Endangered and Inaccessible Manuscripts” (1:53:23)

    “Expanding the Digital Archaeological Archive of Comparative Slavery Research Consortium” (1:56:48)

    “Tesserae Intertext Service: Intertextual Search Access to Digital Collections in the Humanities” (2:00:06)

    INSTITUTES FOR ADVANCED TOPICS in the DIGITAL HUMANITIES

    “Expanding Communities of Practice” (2:03:21)

    “Virtual and Augmented Reality for the Digital Humanities Institute (VARDHI)” (2:07:25)

    “Textual Data and Digital Texts in the Undergraduate Classroom” (2:10:30)

    “Digital Editions, Digital Corpora and new possibilities for the Humanities in the Academy and Beyond” (2:13:58)

    The company's products can meet our diverse needs, and the price is cheap, the most important is that the quality is also very nice.
    5 Stars By Arthur from Puerto Rico - 2016.04.18 16:45
    This company has a lot of ready-made options to choose and also could custom new program according to our demand, which is very nice to meet our needs.
    5 Stars By Annie from Curacao - 2016.11.01 17:04

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